PULP
Assorted documents from the lighting design process behind Pulp’s debut.
PROJECT OVERVIEW
The unique circumstances of Franny Mestrich’s original thesis play required me to work within the plot for the spring mainstage production . Through careful refocusing, gel adjustments, and a few more PARs, PARNELs, and Source-4s, I created and programmed 10 looks for Pulp across 41 cues.
